Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Thursday, March 10, 2022

Full circle: a nurse coming back to writing

 Hello everyone! 

It's been a long time since I posted here and I have some exciting updates!

Since we last spoke, I have gone to nursing school and am now working as a registered nurse on a cardiology floor. Doing an accelerated nursing program in the middle of a pandemic was intense, so that's part of why I've been quiet for so long. Now, I am coming back to writing, but my focus is going to be a bit different from here on out.

I am pivoting from book blogging to freelance writing. With my newfound expertise and passion for health and medical writing, I am focusing on cultivating freelance work in these areas. However, I am still a book lover at heart. I also still have all my experience from my time working on this blog and interning in publishing, so I am taking book-related content and editing jobs still too!

If you have book or literature-related content, copy, or editing gigs, I do still hope you will reach out. 

I anticipate continuing to be fairly quiet on this blog, but I wanted to leave some other ways you can find me.

Linkedin: Howling Turtle Media

This is my freelance-focused Linkedin (I have one that is more geared towards my nursing career too). I have decided to keep the Howling Turtle name in this new phase of my writing business. I will be creating a Howling Turtle Media freelancing website soon and will update this post with the link to that once it is live.

Twitter 

I'd love to connect with you on Twitter! I'll be sharing my published projects and thoughts on writing and healthcare.

Email:

I still check the email for this blog, so if you'd like to reach out, send a message to:

howlingturtle19@gmail.com


I hope you all have been well and that you'll join me as I set out on this new phase of my writing life.

~ Larissa

Wednesday, September 19, 2018

Books are more than just the words on the page.


I’ve been thinking a lot about books as physical objects lately.

One thing I’ve been thinking about is how they have been used in ways they were not intended. 

In the English class I’m taking right now we are learning about the Exeter Book, which is an anthology of Anglo-Saxon literature made from vellum that is around a thousand years old. Researchers have performed analysis on the book itself and found traces of beer on it and particles in grooves on the book that suggest it was used as a board for cutting cheese at one point.

The office I’m editing this post in had a book propping up the leg of a wiggly table for several years before it was removed.

Even when books are used the way they were intended, there’s a lot to consider and appreciate about their form.

It’s funny. I’ve been a big reader my whole life, and, on the whole prefer print books to ebooks, but up until recently I hadn’t put much thought into the act of making the book itself.

Sure, I knew that most of the time books are released in hardcover first, followed by a paperback run, and I knew artist must put a lot of thought and effort into the cover design or image. It never occurred to me that there would be other designers working behind the scenes to make a book what it is when you see it in the bookstore.

I attended a publishing program in New York this summer and it was an amazingly in-depth overview of the publishing industry and what it entails. I already knew what people like editors, publicists, and literary agents were and did (though I learned an incredible amount of new things about those professions too) but one day we had a presentation on book production and it was so surprising to me because I’d never heard of it before.

Book production is essentially the creation of the book that you see in bookstores. The dimensions of a book, paper used for printing, whether or not the outsides of the pages are smooth or ridged or colored – all of this is the job of the book producer. And yes, the cover designer lays out the look of the book. But if the cover is embossed or has a cut out or the paper has a textured or holographic element to it? That’s the realm of the book production department.

Another thing we learned in that program is that around five to ten years ago, publishers were very worried that the physical book would soon become obsolete, replaced by the ebook. If you look at the charts, there was a boom in ebook sales and a decline in print sales for a while, but eventually the levels plateaued and, actually, ebook sales are declining somewhat.

I’m sure there are multiple factors for this, but I think a big part of it is that people do really appreciate books as physical objects, not just words on a page, and have for thousands of years. Hopefully, people appreciate the physicality more for its beauty of design like the book of Kells or some tome one might see photographed for the #bookstagram tag and not its utility as a cheese cutting board like the Exeter book or a block for propping up a wobbly table leg.

Either way, books have an inherent value as objects that cannot be replicated in digital form, though perhaps one gains the convenience of being able to read on their phone.

The next time you take out a book, I encourage you to really look at it. Look at the things that you might normally overlook like the type of paper it’s printed on, the textures on its cover, whether the pages lie flat or have ridges, how the spine is bound – and know that a team of people spent hours weighing options and looking at price points to bring you the final product that rests in your hands. How does the book itself help tell the story in its pages?



Monday, June 4, 2018

Guest Post: Tess Keeler

Today I'd like to welcome Tess Keeler to the blog! She was kind enough to shed some light on her process of co-writing a novel with her wife. You can find Everything Comes Back to You on Amazon here.

Hey, everyone!

I’m Tess Keeler, co-author of Everything Comes Back to You, a YA/NA novel centered around two male childhood best friends who, you guessed it, fall in love. My wife, Saundra Keeler, and I wrote our debut novel with alternating point of views of River Saxton and Aiden Jacobs, the two main characters. Each of us had created our character from the heart and built their world around it. We took turns writing chapters from our personal character’s point of view. It was a fun and interesting process, but we enjoyed it, and we are currently writing our second novel in the same format.

That leads me to our subject of the day: I want to talk to you all about the process of writing a book with two authors.

We have always written in a back and forth process since becoming writing partners in 2012, but when we decided to start writing Everything Comes Back to You, we had never written the amount we were committing to. We started off with a 50,000 word goal, and by the end of the novel, we had over 80,000 words. 

We find outlining to be more structured, so we did that before anything else. Our novel is a little different than most, because it has a time jump of five years in the middle (hence the YA and NA genre title). Because of our time jump, we wanted to make sure that it was a mostly equal combination of both timeframes. We took our goal and divided it in half. That was where we would most likely make our shift. We took those amounts (25,000), and divided them by 2,500 (our chapter goals) to give us the amount of chapters needed to meet our goals.

Getting the number of chapters needed to fill our book was the easy part. We would write them down in list form with dashes beside them, and we would begin filling in our major events (while deciding if it was an event both of us needed to write a chapter about), spacing them far enough apart to create growth between events. We really aimed for creating an emotional bond between the readers and the characters. Then we chose who would start the novel, and the opposite person ends would the novel.

Once the major events were penciled in, we filled in any other scene ideas and where they would fall on our outline. We don’t always have a lot to start, but we usually have a good idea. The ones that are blank, we write “filler”. These are usually filled in later if we think of something, or the person writing that chapter with come up with something on the spot that is productive for the novel.

Working as a team can sometimes be difficult. Agreeing on supporting characters and how they behave can be a challenge, all while both learning to control them the same way. Before we can ever start writing, we have to have a face, name, and personality to every character we plan to introduce, so that we are both comfortable writing them in any situation.

The main characters can be tough as well, but we enjoy asking the other author what their character would say or how they would react instead, making it true and genuine to the character as the creator sees it in their heart, but written in the point of view character’s charm. River and Aiden are our babies. Each of us favor our own to the point of feeling betrayed when our friends assume I write hers and she writes mine. It’s silly really.

Our chapters are mapped and our characters created, so then we choose the setting, the overall ambiance of their environments, and all the other details that go into setting the tone of the novel. I find the location fun, because we spend time researching the places we choose. Portraying everything well is important to us. 

After writing everything down, the first person begins the first chapter, and then it’s in the moment decision making and brainstorming until we feel like the story has been tied up. 

One great thing about co-authoring is two sets of eyes proofreading and editing the work. We each read it wholly once, and then we decide if anything needs to be added. Is there anything missing from the story?

Since creating this process, we have been successful in keeping our momentum. I can write my chapter better knowing that Saundra is covering a certain event. I can lead up to it in a way that is beneficial to the character development and all over quality of the novel. 

And that’s it! 

I hope you enjoyed learning about our process. As most authors do, we hope our effort shines through our work. If you have any questions on the writing process of co-authors, you can find me on instagram: @tesshybe

About Everything Comes Back to You:
River and Aiden had been inseparable since Aiden’s family moved in next door to their West Seattle home, nearly seven years prior to their senior year of high school. River Saxton was a seventeen-year-old who loved music and comics. Aiden Jacobs was a sixteen-year-old who loved painting and girls. They both bonded over their dysfunctional families and the love they shared for their small group of friends.

After another uneasy breakup and a moment of vulnerability, Aiden was in River’s room, and suddenly they were kissing.
With River’s innocence and Aiden’s identity on the line, two best friends struggle to define the line between friends and lovers. 

When River leaves for an incredible opportunity in Florida, Aiden is left wondering what more he could have done to keep his best friend from moving on.

Five years of experience, growth, and suffering passes before they see or speak to each other again. River moves back home, but he’s brought someone with him. Aiden wedges himself in the middle of everything. Are they getting a second chance at friendship, love, or both?





Disclosure: this post contains links to an affiliate program (Amazon), for which I receive a few cents if you make purchases.

Wednesday, May 16, 2018

Review: The Night Sister

Title: The Night Sister
Author: Jennifer McMahon
Page Count: 322
My Rating:  4 TURTLES: A great read, I definitely recommend.
*I received this book from the publisher in exchange for an honest review
Amazon

Description:

Once the thriving attraction of rural Vermont, the Tower Motel now stands in disrepair, alive only in the memories of Amy, Piper, and Piper's kid sister, Margot. The three played there as girls until the day that their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever.

Now adult, Piper and Margot have tried to forget what they found that fateful summer, but their lives are upended when Piper receives a panicked midnight call from Margot, with news of a horrific crime for which Amy stands accused. Suddenly, Margot and Piper are forced to relive the time that they found the suitcase that once belonged to Silvie Slater, the aunt that Amy claimed had run away to Hollywood to live out her dream of becoming Hitchcock's next blonde bombshell leading lady. As Margot and Piper investigate, a cleverly woven plot unfolds—revealing the story of Sylvie and Rose, two other sisters who lived at the motel during its 1950s heyday. Each believed the other to be something truly monstrous, but only one carries the secret that would haunt the generations to come.

Review:
This was a bit of a departure from what I usually read (I don’t typically read many mysteries or thrillers) but I’m really glad I took the chance! Jennifer McMahon wrote an incredibly suspenseful mystery. I had to read the last sixty pages or so in one sitting because I had to find out what happened! I love how the story is told through different points of views in three set eras to trace the mystery over three generations. The pacing that new information about the mystery is revealed is perfectly timed. Slow enough that the suspense continues to mount, but quick enough to keep the story moving.

I also thought the characters were super compelling. Some likable and sympathetic, others less so, but the nature of the mystery always had me questioning whether or not some characters were who they were presented as being (some yes and some no). The casual queer representation in this book was also a big plus for me. I love it when characters’ queerness is a present part of their identity but it isn’t the most important thing about them. Don’t get me wrong, I love coming out type stories too, but getting to read characters who just happen to be queer is really exciting for me. The one character that felt a little flat to me was Jason. He was always there, but kind of pushed to the background and underdeveloped. I would have liked to have seen a bit more of who he was, because what was there was interesting.  

One things that seems incredibly difficult about writing mystery to me is coming up with the ending. How do you come up with a conclusion that lives up to the suspenseful build up? I think the book came up a bit short in this department. The suspense was so thrilling that even though the reveal at the end explained all the mysterious elements well and tied up all the loose threads, it did not feel as dramatic as everything that came before it.

Overall, though,  The Night Sister is an incredibly entertaining, enthralling, creepy novel and I would definitely recommend it.




Disclosure: this post contains links to an affiliate program (Amazon), for which I receive a few cents if you make purchases.

Thursday, March 15, 2018

Why I Love Audiobooks and You Might Too

I was resistant to the idea of audiobooks for a long time.

I don’t know if it was because I had internalized some silly idea that it wasn’t “real reading” or if I just had never really listened to them growing up.

I remember once my family bought a book on tape (as they used to be called back in the dark ages of the mid ‘00s) but we weren’t committed to it and stopped listening part way through. I still don’t know how Cornelia Funke’s The Thief Lord ends.

This mentality began to shift sometime in high school. I’m not entirely sure what brought it about, but I think it was a combination of several things.

First of all, bookworm that I am, I wanted to have a way to read while walking that didn’t end with me stepping in a puddle or running into a pole, door or person. All those things had happened or nearly happened to me. I was like those confuddled people in infomercials who look directly into the camera and declare “there’s got to be a better way!”

The second reason, honestly, I started listening to audiobooks was that Google, in all its algorithmic, capitalist wisdom, had been showing me ads for Audible (an audiobook buying website for those of you who don't know) for some time and I finally caved. My walking-infomercial-self had found a problem and the internet had responded with “there’s an app for that.”


Although there are many places online where you can find audiobooks, I really like Audible because as a member I get one "free" book a month (I put "free" in quotations since there is the $15 monthly fee, but since many audiobooks cost most than that I usually come out ahead) as well as access to a member discount for any other book I may want to buy. (And, Audible does give you your first month of membership free so you can see if you like it). If you have never given audiobooks a shot, I highly, highly recommend that you do.

Most of the pleasure reading I’m able to get in during the school year is through audiobooks. I may not have much time to sit down and read a book for fun (because, let’s be real, I hardly even have that time to read books assigned for class) but I do have snippets of time between walking to class, eating and working out at the gym. That time adds up quickly and allows me to get a fair amount of pleasure “reading” in.

Listening to books can also be great for doing homework. For speed readers it may not be worth it, but as someone who is a slow reader, has a reading heavy course load and is prone to eye strain, it really is. Also, depending on the platform you are listening through, you may be able to speed up the narration to two to three times the recorded speed for when you’re in a hurry.

There is also a theatrical element to audiobooks, placing the experience of listening to one somewhere between reading a book and listening to a radio play. The voice actors will often do different voices and accents for the various characters and the inflections of their voices as they narrate will sometimes lead me to interpret a scene differently than if I had been reading the story and imagined the inflections differently.


Also, books that come from big publishers, especially books that have been heavily hyped, will often have a big name attached as the narrator. I imagine some people might find this distracting, but I really enjoy it.

Take the audiobook for one of my favorite books Aristotle and Dante Discover the Secrets of the Universe, for example.

The narrator of that audiobook, at the time I first listened to it was, from what I understand, well-respected and known among the Broadway community, but not particularly famous. Several years later, when I listened to it again, I was surprised and delighted to realize that the narrator was, in fact, Lin-Manuel Miranda. (This revelation made the scene in the novel where the main character is complaining about have to write a paper on Alexander Hamilton ten times funnier than it would have been otherwise).


In this current age, we have so many ways of sharing and consuming stories, yet the audiobook is often overlooked. Hopefully, if you have never listened to one before, I have piqued your interest enough to at least give this medium a try.


This piece first appeared in the Manitou Messenger, St. Olaf College's student newspaper.


Disclosure: this post contains links to an affiliate program (Amazon), for which I receive some money if you make purchases.